
For musicians my recommendation would be Tap BPM: tap along to a tune and it'll give you the beats per minute – really handy." Elaine Mai's new EP is out this summer It's superhandy when you're away from the laptop. I like it because you can record audio directly into the app and loop vocals really easily with it. " Music Maker Jam is simple to use and has lots of preloaded loops.
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It's really powerful for an app, and has plenty of effects and toys to play with, but you'll need to buy the full version, for €6.99, to save stuff. It's a bit confusing when you start using it, but I'd recommend messing around with it, to get a feel for it, or checking out some tutorials. If you're into your synths this is well worth a look. That song was made on that app, which I then imported into Ableton to mix and add to. I have a new EP due out in the coming months, and it includes a track featuring the deadly Temper-Mental MissElayneous. It's supereasy to use, and the sounds that come with it are top notch. There's no limit to how long you can record for, and it's really easy to share files later. Sometimes I'll get an idea for a melody, and this app is superhandy to record the idea quickly, for later. The Propellerhead Figure app is also fantastic for lead-synth and drum-machine stuff, as are the various sequencers." Delorentos ( ) play festivals in Mexico and Spain this summer, and Ravelóid, in Dublin, on June 11thĮlaine Mai "I use Easy Voice Recorder on Android, which is as simple to use as it sounds.

"Apple's GarageBand is definitely the 21st-century version of the Fostex four-track cassette recorder that so many great albums were recorded on, although bands like Ducktails still embrace that. Hopefully this means the sound is unique, not pastiche or well trodden – and, ultimately, isn’t that the whole point? “We usually can’t afford to hire string sections, but we can score strings, and play them in the idiosyncratic way that we, as amateur string musicians, come up with. “Using apps that mimic real-world instruments, and playing them in a nonhuman way – which is to say faster or more dextrously than a human hand can – means that you can come up with unique sounds that can’t be easily reproduced by a person sitting down with an instrument. Little Sparks and Night Becomes Light have a lot of this kind of stuff.
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For example, I found that using a piano simulator on an iPad, setting it to arpeggiate on 32nd notes, at a rate much faster than I could ever hope to play, and putting that app through a Cathedral reverb pedal gave an uplifting, choir-of-angels feel, which, if you subtly mix it under a chorus, creates more of a euphoric feel. "But it also means you can open up a world of analogue pedals. Níal Conlan’s sketch of his pedal set-up for Little Sparks
